Arno Breker Art

A pencil drawing of a runic Sun. This runic symbol is inlaid into the marble floor of the Hall of the Supreme Leaders in the North Tower of Wewelsburg Castle in Northern Westphalia, Germany. Limited edition prints available now in 2 sizes : 33cm x 48cm 50cm x 65cm 88 copies each FREE SHIPPING WORLDWIDE © 2024 P-S Lindblom DM for details

“Europe is still without a head. We must wait.” Arno Breker, 1978. “Junges Europa” / “Young Europe” (detail), 1978. Height: 146 cm (almost life-size), weight 83,5 kg. Cast in 1978 by foundry Herbert Schmäke Düsseldorf. The German Olympic swimmer Walther Kusch stood as the model for this sculpture. In 1978 Kusch was the world champion at the 100 m breaststroke and he had a total of 34 records in his name. Photo © Delon - Hoebanx

Day 3 work in progress…A pencil drawing of The Black Sun, a runic symbol inlaid into the floor of the Hall of the Supreme Leaders in the North Tower of Wewelsburg Castle in Northern Westphalia, Germany. Limited edition prints will be available soon! 33cm x 48cm 50cm x 65cm FREE SHIPPING WORLDWIDE © 2024 P-S Lindblom DM for details

“You will never get to see fifty foot statues of warlords and emperors or feel the triumph of conquest. You will never see man live as the ancients dreamed he would, all because a couple of rats tunneled their way into positions of power. They said the past is wrong. They said invaders should have your land. They said its ok to embrace apathy. You are a victim of the technocracy, of an abuse named ‘civility’. You have been robbed of a fulfilling earnest life.” Mike Ma, Harassment Architecture Left : A pencil drawing of Arno Breker’s statue “Der Fackelträger” / “Die Partei” - The Torchbearer / The Party. Center : A pencil drawing of The Doryphoros (Greek : Δορυφόρος “Spear-Bearer”) of Polykleitos, after a reconstruction by Georg Roemer created in 1920. Right : A pencil drawing of Arno Breker’s statue “Der Schwertträger” / “Die Wehrmacht” - The Sword Bearer / The Army. © 2024 P-S Lindblom

Limited edition prints of pencil drawing of the Quadriga (a chariot pulled by four horses) sculpture on top of The Brandenburg Gate. 33cm x 48cm 50 copies FREE SHIPPING WORLDWIDE © 2022 P-S LINDBLOM

TRUTH ALWAYS TRIUMPHS In the end, truth always wins, not because it’s a moral choice, but because it’s an immutable aspect of reality. A pencil drawing of the Quadriga (a chariot pulled by four horses) sculpture on top of The Brandenburg Gate. The sculpture, depicting a two-wheeled chariot pulled by four horses running side by side, was meant to symbolize peace entering the city. The horses’ reins are held by Victoria, the goddess of victory. The Brandenburg Gate (German: Brandenburger Tor) is an 18th-century neoclassical monument in Berlin, built between 1788 and 1791 based on designs by Carl Gotthard Langhans the Elder, who was strongly inspired by the Propylaea of the Athenian Acropolis. © 2022 P-S LINDBLOM

Model of the “Runder Platz” with a large fountain with Apollo, riding his sun chariot pulled by fiery horses, rising from the flowing waters. This was a 126 meters in diameter fountain basin planned to be at the north-south axis for the capital city’s Runder Platz (circular plaza). Reshaping of the German capital, 1938/39. Designs: general building inspection supervised by Albert Speer.

Model of the “Runder Platz” with a large fountain with Apollo, riding his sun chariot pulled by fiery horses, rising from the flowing waters. This was a 126 meters in diameter fountain basin planned to be at the north-south axis for the capital city’s Runder Platz (circular plaza). Reshaping of the German capital, 1938/39. Designs: general building inspection supervised by Albert Speer.

Limited edition prints 48cm x 33cm 100 copies FREE SHIPPING WORLDWIDE 2023 P-S Lindblom DM for details https://www.instagram.com/arno_breker_art?igsh=MWJkOWEzbndlMzNkZA%3D%3D&utm_source=qr or @pericleslind

WHAT WE DO IN LIFE ECHOES IN ETERNITY A pencil drawing of a bronze portrait bust of “Nach dem kampf” (After the battle) made by Hans Bühler. Exhibited in Haus der Deutschen Kunst, GDK 1943, Munich. It depicts a worn out soldier of the Wehrmacht after a battle, wearing a Stahlhelm (‘steel helmet’). This was also on the cover of the 1944 edition of the Deutsche Illustrierte no.1. Hans Adolf Bühler (June 4, 1877 in Steinen - October 19, 1951 in Sponeck Castle near Jechtingen) was a German painter and cultural politician. Unfortunately the whereabouts of this statue is unknown.