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๐™‡๐™„๐™๐™ˆ๐˜ผ๐™‰๐™„๐˜ผ: ๐™€๐™ฃ๐™œ๐™ก๐™ž๐™จ๐™ ๐™‡๐™ž๐™ฉ๐™š๐™ง๐™–๐™ฉ๐™ช๐™ง๐™š

๐‘ช๐’‰๐’‚๐’๐’๐’†๐’ ๐’„๐’๐’๐’•๐’‚๐’Š๐’๐’” ๐’‚๐’๐’ ๐’•๐’‰๐’† ๐’Ž๐’†๐’…๐’Š๐’‚ ๐’‡๐’Š๐’๐’†๐’” ๐’”๐’‰๐’‚๐’“๐’†๐’… ๐’Š๐’ ๐’•๐’‰๐’† ๐’ˆ๐’“๐’๐’–๐’‘ LITMANIA:English Literature- UG/PG/UGC-NET SOLUTION @LitMania_Literature

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The Hogarth Press โ€ข Founded in 1917 โ€ข By Leonard Woolf and Virginia Woolf at their home, Hogarth House, Richmond โ€ข It was partly as therapy for her mental disturbance from which she had suffered since her mother's death โ€ข Its first production was Two Stories, one by Leonard Woolf and Virginia Woolf โ€ข Their earliest publications included Katherine Mansfield's PRELUDE (1918), Virginia Woolfโ€™s KEW GARDENS (1919, illustrated with woodcuts by Vanessa Bell, and T. S. Eliot's Poems (1919) โ€ข Their policy was to publish new and experimental work โ€ข They also published translations of Gorky, Chekhov, Tolstoy, Dostoevsky, Bunin, Rilke, and Svevo โ€ข They were the first to introduce the work of Jeffers, J. C. Ransom, and E. A. Robinson in England โ€ข The press also published papers and pamphlets on psychoanalysis, politics, aesthetics, economics, and disarmament, and with its outstanding list of authors made a major contribution to the literary and intellectual life of the nation โ€ข The present Hogarth Press has been an allied company of Chatto and Windus since 1947
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JACOB'S ROOM (1922) โ€ข A novel evoking the life and death (in the First World War) of Jacob Flanders (clearly related to the death of her brother Thoby in 1906) โ€ข Recognized as a new development in the art of fiction โ€ข Her distinctive technique is fully used for the first time โ€ข A serious of disconnected impressions, revealed through the consciousness of people โ€ข Indirect narration and poetic impressionism โ€ข Use of internal monologue โ€ข T. S. Eliot: โ€œyou have freed yourself from any compromise between the traditional novel and your original giftโ€ โ€ข Attacked by J. M. Murry for its lack of plot
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MRS DALLOWAY (1925) โ€ข The action is restricted to the events of one day in central London, punctuated by the chimes of Big Ben โ€ข It opens on a June morning in Westminster as Clarissa Dalloway, wife of Richard Dalloway MP (both had appeared briefly and enigmatically in an earlier novel, THE VOYAGE OUT), sets off to buy flowers for her party that evening, the party which provides the culmination and ending of the book โ€ข Her interior monologue, interwoven with the sights and sounds of the urban scene โ€ข Her day is also contrasted with that of the shell-shocked Septimus Warren Smith, who hears the sparrows sing in Greek in Regent's Park, and who at the end of the day commits suicide by hurling himself from a window โ€ข Accused by some (including Strachey) of triviality
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A ROOM OF ONE'S OWN (1929) โ€ข A classic of the feminist movement โ€ข A feminist essay โ€ข Based on two lectures on โ€œWomen and Fictionโ€ delivered in Oct. 1928 to Newnham College and Girton College, Cambridge โ€ข The author describes the educational, social, and financial disadvantages and prejudices against which women have struggled throughout history arguing that women will not be able to write well and freely until they have the privacy and independence implied by 'a room of one's own' and โ€œfive hundred a yearโ€ o Using the fate of a hypothetical talented sister of Shakespeare as an illustration o Her literary aspirations end in suicide โ€ข She pays tribute to women writers of the past, including Behn, Dorothy Osborne and Jane Austen, the Brontรซs, to women's achievements in the form of the novel โ€ข Last chapter - she discusses the concept of 'androgyny', โ€ข Pleading for unity and harmony rather than a rigid separation into โ€˜maleโ€™ and โ€˜femaleโ€™ qualities โ€ข โ€œPerhaps a mind that is purely masculine cannot create, any more than a mind that is purely feminine.โ€ THREE GUINEAS (1938) โ€ข A sequel to A ROOM OF ONE'S OWN โ€ข Articulates Woolf's view that tyranny at home, within patriarchy, is connected to tyranny abroad.
THREE GUINEAS (1938)
โ€ข A sequel to A ROOM OF ONE'S OWN 
โ€ข Articulates Woolf's view that tyranny at home, within patriarchy, is connected to tyranny abroad.
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James Augustine Aloysius Joyce (1882-1941) ULYSSES โ€ข His famous novel โ€ข First published in Paris on 2 Feb. 1922 โ€ข The first UK edition appeared in 1936 โ€ข Serialized in the Little Review from 1918 o An American monthly magazine o Founded in Chicago in 1914 by Margaret Anderson o In 1916 it came under the influence of Pound, who was foreign editor from 1917 to 1919 โ€ข The editors of the Little Review were prosecuted and found guilty of publishing obscenity โ€ข It was published in Paris by Sylvia Beach in 1922 โ€ข The novel deals with the events of one day in Dublin โ€ข 16 June 1904 - the anniversary of Joyce's first walk with Nora Barnacle, who became his wife โ€ข โ€œBloomsdayโ€ โ€ข The principal characters are Stephen Dedalus (the hero of Joyce's A PORTRAIT OF THE ARTIST AS A YOUNG MAN); Leopold Bloom, a Jewish advertisement canvasser; and his wife Molly โ€ข The plot follows the wanderings of Stephen and Bloom through Dublin, and their eventual meeting โ€ข A study of the life and mind of Leopold and Mrs Bloom โ€ข Set in the squalor of Dublinโ€™s slum โ€ข The last chapter is a monologue by Molly Bloom โ€ข The various chapters roughly correspond to the episodes of Homer's ODYSSEY โ€ข Stephen representing Telemachus โ€ข Bloom Odysseus, and Molly Penelope โ€ข The style is highly allusive โ€ข Employs a variety of techniques โ€“the stream of consciousness, interior monologue and of parody, and ranges from extreme realism to fantasy โ€ข Joyce described the theme of the Odyssey as โ€œthe most beautiful, all-embracing theme . . . greater, more human, than that of Hamlet, Don Quixote, Dante, Faust', and refers to Ulysses himself as pacifist, father, wanderer, musician, and artist: I am almost afraid to treat such a theme; it's overwhelming.โ€ โ€ข Bloom: โ€œthe most complete character in fictionโ€
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James Augustine Aloysius Joyce (1882-1941) A PORTRAIT OF THE ARTIST AS A YOUNG MAN (1916) โ€ข A largely autobiographical work โ€ข Published serially in the Egoist, 1914-15 โ€ข Part of a first draft, Stephen Hero, appeared in 1944 โ€ข It describes the development of Stephen Dedalus, who reappears in ULYSSES in a slightly different incarnation โ€ข Its experimentation lies principally in its prose style changing as the novel progresses to mirror the growth and development of Stephen's mind โ€ข The novel foreshadows many of the themes and verbal complexities of ULYSSES โ€ข An intense account of a developing writer torn between the standards of an ascetic, religious upbringing and his desire for sensuousness EXILES (1918) โ€ข Play
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James Augustine Aloysius Joyce (1882-1941) Serious Novelist Born at Rathgar, Dublin CHAMBER MUSIC (1907) โ€ข His first published work โ€ข A volume of verse DUBLINERS (1914) โ€ข A volume of short stories โ€ข Focusing on life in Dublin โ€ข The stories follow a pattern of childhood, adolescence, maturity, and public life, culminating with the longest, โ€œThe Deadโ€ โ€ข Frequently described as โ€œthe finest short story in Englishโ€ โ€ข โ€œa style of scrupulous meannessโ€ โ€ข The narrative technique is straightforward
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Poems (D.H. Lawrence) LOVE POEMS AND OTHERS (1913) AMORES (1916) LOOK! WE HAVE COME THROUGH! (1917) NEW POEMS (1918) TORTOISES (1921) BIRDS, BEASTS AND FLOWERS (1923) COLLECTED POEMS (1928) PANSIES (1929)
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LADY CHATTERLEY'S LOVER โ€ข Privately printed, Florence, 1928 โ€ข It was privately printed by his good friend Pino Orioli โ€ข Expurgated version, London, 1932 โ€ข Full text, London, 1960 โ€ข His last novel (D.H. Lawrence) โ€ข โ€œvery truly moralโ€ โ€ข Set in the Nottinghamshire coalmining village โ€ข Sexual experience is handled with a wealth of physical detail and uninhibited language
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Metafiction Metafiction is a term used to describe novels that specifically and self-consciously examine the nature and status of fiction itself and that often contain experiments to test fiction as a form in one way or another. As a word metafiction means fiction about fiction. Most metafictions cannot be easily classified in the conventional categories of realism or romance and in fact disobey these rules and conventions of these genres. William H. Gass coined the term โ€œmetafictionโ€ in the essay entitled โ€œPhilosophy and the form of Fiction.โ€ The term is popularized by Robert Scholes. Metafiction is primarily associated with modernist and post-modernist literature. Egs: John Barthโ€™s LOST IN THE FUNHOUSE and Donald Barthelemeโ€™s OVERNIGHT TO MANY DISTANT CITIES
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