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The Hogarth Press
โข Founded in 1917
โข By Leonard Woolf and Virginia Woolf at their home, Hogarth House, Richmond
โข It was partly as therapy for her mental disturbance from which she had suffered since her mother's death
โข Its first production was Two Stories, one by Leonard Woolf and Virginia Woolf
โข Their earliest publications included Katherine Mansfield's PRELUDE (1918), Virginia Woolfโs KEW GARDENS (1919, illustrated with woodcuts by Vanessa Bell, and T. S. Eliot's Poems (1919)
โข Their policy was to publish new and experimental work
โข They also published translations of Gorky, Chekhov, Tolstoy, Dostoevsky, Bunin, Rilke, and Svevo
โข They were the first to introduce the work of Jeffers, J. C. Ransom, and E. A. Robinson in England
โข The press also published papers and pamphlets on psychoanalysis, politics, aesthetics, economics, and disarmament, and with its outstanding list of authors made a major contribution to the literary and intellectual life of the nation
โข The present Hogarth Press has been an allied company of Chatto and Windus since 1947
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JACOB'S ROOM (1922)
โข A novel evoking the life and death (in the First World War) of Jacob Flanders (clearly related to the death of her brother Thoby in 1906)
โข Recognized as a new development in the art of fiction
โข Her distinctive technique is fully used for the first time
โข A serious of disconnected impressions, revealed through the consciousness of people
โข Indirect narration and poetic impressionism
โข Use of internal monologue
โข T. S. Eliot: โyou have freed yourself from any compromise between the traditional novel and your original giftโ
โข Attacked by J. M. Murry for its lack of plot
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MRS DALLOWAY (1925)
โข The action is restricted to the events of one day in central London, punctuated by the chimes of Big Ben
โข It opens on a June morning in Westminster as Clarissa Dalloway, wife of Richard Dalloway MP (both had appeared briefly and enigmatically in an earlier novel, THE VOYAGE OUT), sets off to buy flowers for her party that evening, the party which provides the culmination and ending of the book
โข Her interior monologue, interwoven with the sights and sounds of the urban scene
โข Her day is also contrasted with that of the shell-shocked Septimus Warren Smith, who hears the sparrows sing in Greek in Regent's Park, and who at the end of the day commits suicide by hurling himself from a window
โข Accused by some (including Strachey) of triviality
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A ROOM OF ONE'S OWN (1929)
โข A classic of the feminist movement
โข A feminist essay
โข Based on two lectures on โWomen and Fictionโ delivered in Oct. 1928 to Newnham College and Girton College, Cambridge
โข The author describes the educational, social, and financial disadvantages and prejudices against which women have struggled throughout history arguing that women will not be able to write well and freely until they have the privacy and independence implied by 'a room of one's own' and โfive hundred a yearโ
o Using the fate of a hypothetical talented sister of Shakespeare as an illustration
o Her literary aspirations end in suicide
โข She pays tribute to women writers of the past, including Behn, Dorothy Osborne and Jane Austen, the Brontรซs, to women's achievements in the form of the novel
โข Last chapter - she discusses the concept of 'androgyny',
โข Pleading for unity and harmony rather than a rigid separation into โmaleโ and โfemaleโ qualities
โข โPerhaps a mind that is purely masculine cannot create, any more than a mind that is purely feminine.โ
THREE GUINEAS (1938)
โข A sequel to A ROOM OF ONE'S OWN
โข Articulates Woolf's view that tyranny at home, within patriarchy, is connected to
tyranny abroad.
THREE GUINEAS (1938) โข A sequel to A ROOM OF ONE'S OWN โข Articulates Woolf's view that tyranny at home, within patriarchy, is connected to tyranny abroad.
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James Augustine Aloysius Joyce (1882-1941)
ULYSSES
โข His famous novel
โข First published in Paris on 2 Feb. 1922
โข The first UK edition appeared in 1936
โข Serialized in the Little Review from 1918
o An American monthly magazine
o Founded in Chicago in 1914 by Margaret Anderson
o In 1916 it came under the influence of Pound, who was foreign editor from 1917 to 1919
โข The editors of the Little Review were prosecuted and found guilty of publishing obscenity
โข It was published in Paris by Sylvia Beach in 1922
โข The novel deals with the events of one day in Dublin
โข 16 June 1904 - the anniversary of Joyce's first walk with Nora Barnacle, who became his wife
โข โBloomsdayโ
โข The principal characters are Stephen Dedalus (the hero of Joyce's A PORTRAIT OF THE ARTIST AS A YOUNG MAN); Leopold Bloom, a Jewish advertisement canvasser; and his wife Molly
โข The plot follows the wanderings of Stephen and Bloom through Dublin, and their eventual meeting
โข A study of the life and mind of Leopold and Mrs Bloom
โข Set in the squalor of Dublinโs slum
โข The last chapter is a monologue by Molly Bloom
โข The various chapters roughly correspond to the episodes of Homer's ODYSSEY
โข Stephen representing Telemachus
โข Bloom Odysseus, and Molly Penelope
โข The style is highly allusive
โข Employs a variety of techniques โthe stream of consciousness, interior monologue and of parody, and ranges from extreme realism to fantasy
โข Joyce described the theme of the Odyssey as โthe most beautiful, all-embracing theme . . . greater, more human, than that of Hamlet, Don Quixote, Dante, Faust', and refers to Ulysses himself as pacifist, father, wanderer, musician, and artist: I am almost afraid to treat such a theme; it's overwhelming.โ
โข Bloom: โthe most complete character in fictionโ
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James Augustine Aloysius Joyce (1882-1941)
A PORTRAIT OF THE ARTIST AS A YOUNG MAN (1916)
โข A largely autobiographical work
โข Published serially in the Egoist, 1914-15
โข Part of a first draft, Stephen Hero, appeared in 1944
โข It describes the development of Stephen Dedalus, who reappears in ULYSSES in a slightly different incarnation
โข Its experimentation lies principally in its prose style changing as the novel progresses to mirror the growth and development of Stephen's mind โข The novel foreshadows many of the themes and verbal complexities of ULYSSES
โข An intense account of a developing writer torn between the standards of an ascetic, religious upbringing and his desire for sensuousness
EXILES (1918)
โข Play
James Augustine Aloysius Joyce (1882-1941)
Serious Novelist
Born at Rathgar, Dublin
CHAMBER MUSIC (1907)
โข His first published work
โข A volume of verse
DUBLINERS (1914)
โข A volume of short stories
โข Focusing on life in Dublin
โข The stories follow a pattern of childhood, adolescence, maturity, and public life, culminating with the longest, โThe Deadโ
โข Frequently described as โthe finest short story in Englishโ
โข โa style of scrupulous meannessโ
โข The narrative technique is straightforward
Poems (D.H. Lawrence)
LOVE POEMS AND OTHERS (1913)
AMORES (1916)
LOOK! WE HAVE COME THROUGH! (1917)
NEW POEMS (1918)
TORTOISES (1921)
BIRDS, BEASTS AND FLOWERS (1923)
COLLECTED POEMS (1928)
PANSIES (1929)
LADY CHATTERLEY'S LOVER
โข Privately printed, Florence, 1928
โข It was privately printed by his good friend Pino Orioli
โข Expurgated version, London, 1932
โข Full text, London, 1960
โข His last novel (D.H. Lawrence)
โข โvery truly moralโ
โข Set in the Nottinghamshire coalmining village
โข Sexual experience is handled with a wealth of physical detail and uninhibited language
Metafiction
Metafiction is a term used to describe novels that specifically and self-consciously examine the nature and status of fiction itself and that often contain experiments to test fiction as a form in one way or another.
As a word metafiction means fiction about fiction.
Most metafictions cannot be easily classified in the conventional categories of realism or romance and in fact disobey these rules and conventions of these genres.
William H. Gass coined the term โmetafictionโ in the essay entitled โPhilosophy and the form of Fiction.โ
The term is popularized by Robert Scholes.
Metafiction is primarily associated with modernist and post-modernist literature.
Egs: John Barthโs LOST IN THE FUNHOUSE and Donald Barthelemeโs OVERNIGHT TO MANY DISTANT CITIES
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